Cut & Colour
Danielle Krysa & Sarah Gee Miller
Patron Art House and Fine Art Framing & Services are pleased to present an exhibition of collaged works by Danielle Krysa and Sarah Gee Miller, curated by Pennylane Shen.
This exhibition examines the practice of layering narrative, a dialogue shared between both artists through the navigation of colour, space and cultural context.
Krysa reworks clippings from photographs and magazines using paint and text to position subjects within the realm of the surreal, often with humour and a twist of the unexpected. Miller’s mathematically symmetric abstractions run vertically, along layers of curving and overlapping circuits, each pulsating with vibrant hues.
This exhibition coincides with the launch of Danielle Krysa’s new book A Big Important Art Book (Now With Women). Books will be available for purchase at Fine Art Framing & Services on November 15 through the duration of the exhibition while quantities last.
Danielle Krysa will return this spring for a live recording of Art for Your Ear at Fine Art Framing and Services on Sunday, May 5th 2019, from 3 – 5pm.
For inquiry about available works please contact info@patronarthouse.com
Notice: Art for Your Ear, Live Recording with Danielle Krysa has been moved to May 5th 2019, 3 - 5pm
Upcoming
Location
Fine Art Framing & Services
100-1000 Parker Street, Vancouver BC
Hours
Mon - Fri, 9am - 5pm
Presented as part of our exhibition program partnership with Fine Art Framing & Services.
Exhibition curated by Pennylane Shen.
Part of the 2018 Culture Crawl.
Danielle Krysa
“She’d ease the in-laws into her contemporary taste
with a tiny sample – but, oh yes, di would be back
for ALL of this shit”, 2018
Found images and acrylic on paper
Width 22”x Height 30”
Danielle Krysa
“ ’See girl, this pieces proves you’re the original carrie
bradshaw – you should stay single forever’, said
camilla.”, 2018
Found images, acrylic, and Swarovski crystal on
panel
Width 15”x Height 15”
Danielle Krysa
“Suffering from a serious case of ‘what will
mumsy think’, chuck wished he’d just bid on a GD
landscape.”, 2018
Found images, acrylic, and Swarovski crystals on
panel
Width 15”x Height 15”
Danielle Krysa
“If phil HAD to have a ‘man cave’, liz would ensure
the decor met royal standards”, 2018
Found images, crushed glass on paper
Width 22”x Height 30”
Danielle Krysa
“Who would buy a portrait of diana looking like
such a badass, they wondered”, 2018
Found images, acrylic, and Swarovski crystal on
paper
Width 22”x Height 30”
Danielle Krysa
“Art or the gallery loo – an age old question that
both rita and sue needed the answer to. SOON.”,
2018
Found images, acrylic, mirror, and glitter on panel
Width 15”x Height 15”
Danielle Krysa
“Already a heavy subject, paul’s intense gaze was
NOT helping – come on, man.”, 2018
Found images, acrylic, crushed glass, and glitter on
panel
Width 15”x Height 15”
Sarah Gee Miller
The Other Side, 2018
Acrylic on shaped panel
30” Diameter
Sarah Gee Miller
We Are Lazarus, 2015
Collaged paper
Width 30”x Height 40”
Sarah Gee Miller
Frequency, 2018
Acrylic on panel
Width 30" x Height 48"
Sarah Gee Miller
Hydrosphere 70, 2018
Acrylic on panel
Width 30" x Height 48"
Sarah Gee Miller
Down in the Orchard at Dusk, 2013
Collaged paper
Width 30”x Height 40”
Sarah Gee Miller
Sine Wave 2, 2018
Acrylic on shaped panel
30” Diameter
Sarah Gee Miller
Sine Wave 1, 2018
Acrylic on shaped panel
30” Diameter
Sarah Gee Miller
In, and Within, 2018
Acrylic on shaped panel
30” Diameter